Art collectible hobby

Start an Art Collectible Hobby and Beautify Your Home Collecting is a fun hobby, and one of the most interesting things to collect are art collectibles. Many different items can be painted with artwork and become an art collectible. Hobby enthusiasts collect such things as saw blades, and wooden eggs which have had artwork painted on. People even collect designer rugs as art. Another art collectible hobby is collecting limited edition plates, thimbles, Christmas ornaments, and figurines produced by such companies as Bradford Exchange. And of course, many people collect fine art paintings. The person with an art collectible hobby will probably find his or her own favorite artists whose works they appreciate. They can choose to focus on one particular artist, either past or present, or they can choose from the works of many artists. On the other hand, they may collect art and art objects around a theme they enjoy, such as cigars, wild animals, or piano music. One may think of an art collector as a rich person who has the money to spend hundreds of thousands of dollars on an original Van Gogh. A person of more modest means can collect art too, however. Post cards are a good place to start. Most art museum gift shops offer high quality, glossy postcards printed with some of their more notable acquisitions. By buying those cards one really appreciates, anyone can have an art collection. Ebay is a good source of art collectibles whatever type of art or collectible you fancy. In fact, if you are just starting out, the choices and options can be overwhelming! Just remember that you can sell your own belongings as well as buying those of others. This should make the impact on the budget a little less powerful. Other ideas for inexpensively collecting art collectibles are scouring flea markets, thrift shops, and garage sales. You never know what treasure someone else may be getting rid of. One nice thing about art collectibles is that artists can be found in every part of the world. The art collector should scout the local art shows, museums, and artist's hangouts to find out just what sort of talent can be had less expensively and close to home. Because of the local flavor of some artwork, art collectibles make good travel souvenirs. For instance, the artist Linda Barnicott specializes in paintings of scenes, buildings, and landmarks found around Pittsburg, Pennsylvania. Similarly, collectors can find local artist almost everywhere. An art collectible hobby will keep you interested in life and give you a home filled with art masterpieces as well. If you enjoy pretty and interesting things around you, consider starting an art collectible hobby today.

The art of travel and the art of writing

In Alain de Botton’s engaging book, The Art of Travel, he distinguishes between the anticipation and recollection of travel versus the reality of actually traveling. When we anticipate, we study travel brochures and create in our imagination all sorts of exotic adventures, lying ahead of us. Once really there, we photograph the Eiffel Tower with our friends or family, their arms slung over one another’s shoulders and grinning into the camera. That forms the recollection, the moments we choose to remember. Magically gone from memory are the delayed flight, the lousy food and the hotel room overlooking the alley, where the garbage collectors banged tins at 5am. But, if we otherwise enjoy ourselves, we select those ‘good moments’ and photograph them to construct a different reality from the real reality. De Botton’s next idea is fascinating. He says that’s exactly what the artist does. Whether writing a novel, painting a picture or scoring a symphony, the artist imagines the outline of the work [anticipates the delights of the trip] then selects that which is felt to have artistic value [forgets the garbage men and includes friends at the Eiffel Tower]. Just as the traveler now has a fine and satisfying memory of the trip, the artist has a wonderful novel, painting or musical score. The artist has created art through imagination, selection, rejection and combination of artistic elements resulting in something new. The happy traveler has created a wonderful trip. Then he tells of a man who had a very peculiar experience. After feasting his eyes upon paintings by Jan Steen and Rembrandt, this traveler anticipated beauty, joviality and simplicity in Holland. Many paintings of laughing, carousing cavaliers had fixed this image in his mind, along with quaint houses and canals. But on a trip to Amsterdam and Haarlem, he was strangely disappointed. No, according to De Botton, the paintings had not lied. Certainly, there were a number of jovial people and pretty maids pouring milk, but the images of them were diluted in this traveler’s mind, by all the other ordinary, boring things he saw. Such commonplace items simply did not fit his mental picture. Thus, reality did not compare to an afternoon of viewing the works of Rembrandt in a gallery. And why not? Because Rembrandt and Steen had, by selecting and combining elements, captured the essence of the beauty of Holland, thereby intensifying it. This is exactly what a writer or any artist tries to do and as a traveler, you may do much the same thing When writing about a day in your protagonist’s life, you don’t start with what he had for breakfast or that his car wouldn’t start unless it’s germane to the plot or his character. You compress. You select and embellish. You toss out. All the details of your story must combine to intensify real life in order to create something interesting and of artistic merit. When I started writing the first novel in the Osgoode Trilogy, Conduct in Question, I had to learn it wasn’t necessary to build the whole city with lengthy descriptions of setting and character, before Harry Jenkins [the protagonist lawyer] could do anything. But many nineteenth century novelists did write numerous pages with glowing descriptions of the Scottish moors or a county hamlet. And that was necessary because, with the difficulty of travel, a reader might well need help in picturing the setting. But today, with the ease of travel, the surfeit of film, web and television images, no reader needs more than the briefest description. Just write walking down Fifth Avenue and the reader immediately gets the picture. In a novel, usually only the most meaningful, coherent thoughts are included, unless you are James Joyce, the brilliant stream of consciousness writer. And so, you as the writer can order your protagonists thoughts so as to make complete and utter sense apparently the first time. In the Osgoode Trilogy, the protagonist, Harry Jenkins, does lots of thinking and analyzing [the novels are mysteries, after all]. But his coherence of thought is only produced after much editing and revising. Not much like real life, you say? Same for dialogue. Interesting characters in books speak better and much more on point than people really do, partly because the writer is able to take back words. In real life, we often wish in retrospect, if only I had said this or that to set him straight. No problem for the writer. Hit the delete button and let him say something truly sharp and incisive. And so, after comparing what the traveler and the writer do, what can we conclude? I quote De Botton in the Art of Travel. The anticipatory and artistic imaginations omit and compress, they cut away the periods of boredom and direct our attention to critical moments and, without either lying or embellishing, thus lend to life vividness and a coherence that it may lack in the distracting woolliness of the present. And so therein lies the difference between Art and Life! And so, the similarity between the traveler and writer.

Book review through the eyes of a survivor

"I have told this story to Colette for many reasons. I want people to understand what happened during World War II, to know what was done to us Jews for no reason at all, other than that we happened to be Jewish. I also want young people to learn from the things I did in my life that allowed me to survive. But my greatest hope in sharing this story is so that my parents and other family members did not die in vain. I truly believe that telling others about their murders and speaking out against genocide, racism, and hatred can and will make a difference." Nina Grutz's family was successful in business in Poland. The community respected them. Nina's life was one of wealth. "The Grutz family was part of a Jewish population that thrived at a time when almost three-quarter of the Jews in Europe called Poland home." "It seems to me now that my life before the war was so very happy and full. My own little world was regulated and small, but this was how my parents raised me and it felt very secure. I had a good family life, I loved my sisters, and I even began to spend time with boys in a social way. We did not go out on dates like young people do today, but spent time in groups with relatives or together with adults present." Then came the day when Nina's father felt it was no longer safe. One day Nina attended a lecture with a companion. He realized Nina was Jewish. "I walked in with him and found that there were older students directing people where to sit. They yelled out, "Jews on the left side and Poles on the right!" I was proud to be a Jew, so I started to go to the left when my companion pulled me by the hand and asked, "Where are you going?" Nina was proud to be Jewish and never tried to hide it but she spoke fluent Polish and dressed like everyone else. When the bombings began, the Grutz family decided it would be safer to separate. Nina went to live with her aunt. Life was never the same for Nina but she didn't give up. Nina assisted with the Underground by smuggling travel papers. She met and married Josef Morecki. Nina's story is one of triumph. This is a story that has to be told. This is a heartrending story, but it is more. "This is one survival tale that is neither enduringly sad nor depressing. It is, in fact, a story of hope and endurance and, ultimately even prosperity in a new life in a new land." Colette Waddell is an extremely talented writer. She uccessfully paints a picture of words that tells Nina's life. It is an honor to read Nina's story. It is told with humor, which testifies to the character of Nina. I'm glad I read this book. It should be required reading for everyone. For only when we come to understand what happened during the Holocaust will be make sure it never happens again. It is with great honor that I highly recommend "Through the Eyes of a Survivor" to all readers. Through the Eyes of a Survivor: A Living History of Nina Morecki from Pre-WWII Poland to Modern America Colette Waddell Topcat Press (2007) ISBN 9780979151804 Reviewed by Debra Gaynor for Reader Views (3/07)